The Matchbox Bluesmaster Series consists of 1196 tracks from the earliest blues of the 1920s to mid 1970s brought to you by Saydisc Records – “BRITAIN’S MOST REMARKABLE RECORD COMPANY” (The Observer)
Available in 12 x6CD sets or streamed as detailed below
“To say that the Matchbox Bluesmaster series is special would not even come close in describing their importance”
(Pete Clack, Blues In Britain)
STREAMING LINKS FOR MATCHBOX BLUESMASTER SERIES TO
SPOTIFY, APPLE/ iTUNES, AMAZON MUSIC, PRESTO, YOU TUBE
Matchbox Bluesmaster Series, Set 1: Country Blues & Ragtime BluesGuitar 1926-30
https://open.spotify.com/album/0sE6kKUe0h3tFIV9s1YnMk?si=ab2aQgZVRFCpSPS--1GTVQ
https://music.apple.com/gb/album/matchbox-bluesmaster-series-set-1-country-blues-ragtime/1544095773
https://www.youtube.com/playlist?list=OLAK5uy_m8PHiOS2Lwai_3AqUWy7ZVPvFqxniIngw
“the blues here is timeless” (Blues In Britain)
Matchbox Bluesmaster Series, Set 2: Country Blues & Great Harp Players 1927-32
https://open.spotify.com/album/3Ic7Fn0241yqmTz98zhLee?si=RKMfWnbYR-So6vtSp_Q7Wg
https://music.apple.com/gb/album/matchbox-bluesmaster-series-set-2-country-blues-great/1544098127
https://www.amazon.co.uk/music/player/albums/B08Q4H5TG6/ref=tmm_msc_swatch_0?_encoding=UTF8&qid=&sr=
https://youtube.com/playlist?list=OLAK5uy_lon-RkARiAcEJ-M40BmBus1g3Ko_YHvqo&si=qXrQhVpMd-wcip-I
“absolute goldmine of early blues” (Blues In Britain)
Matchbox Bluesmaster Series, Set 3: Country Blues & Harmonica Kings 1927-31
https://open.spotify.com/album/0niUZe69kk1LDUmnbyVrkO?si=-1HURXxXSvOUqhalpKkAPw
https://www.amazon.co.uk/music/player/albums/B091SRJVCM/ref=tmm_msc_swatch_0?_encoding=UTF8&qid=&sr=
https://youtube.com/playlist?list=OLAK5uy_k_0RTV-wxD485Ai4VP36_GgkiLR5O215k&si=T0Jw1nVZHagRObL2
“full of unique performances” (Los Angeles Jazz Scene)
Matchbox Bluesmaster Series, Set 4
https://open.spotify.com/album/6wi31EGSo89rchSQ8Q8Ws7?si=R3_t_bmnT1amnSd1XGNuGQ
https://music.apple.com/gb/album/matchbox-bluesmaster-series-set-4/1569210681
https://youtube.com/playlist?list=OLAK5uy_lGjhSP2N2YKr-L2MH8Rnr1bli2PBZUmwg&si=Bx5bi1ViHGmPdZFY
“some of the very earliest recordings ever made…. wonderful blues” (Blues Matters)
Matchbox Bluesmaster Series, Set 5
https://open.spotify.com/album/5JytPR2tOMYdbaWed0ml6w?si=jkoN-RmuRvS4lJrr4ak6Bw
https://music.apple.com/gb/album/matchbox-bluesmaster-series-set-5/1595967112
https://www.prestomusic.com/jazz/products/9255499--matchbox-bluesmaster-series-set-5
https://www.youtube.com/playlist?list=OLAK5uy_n90lkFPytUqBOd7vanHC3u3i31do1Ptpo
“I wish I could write more about this compilation” (Blues Matters)
Matchbox Bluesmaster Series, Set 6
https://open.spotify.com/album/1rnIAnmNDtTalAOarbeBwx?si=H_cMfWk0QUSdhAd-hMP51w
https://music.apple.com/gb/album/matchbox-bluesmaster-series-vol-6/1607923260
https://www.prestomusic.com/jazz/products/9306393--matchbox-bluesmaster-series-vol-6
https://youtube.com/playlist?list=OLAK5uy_lon-RkARiAcEJ-M40BmBus1g3Ko_YHvqo&si=NG8S4OSxcG-TzTgY
“nuggets of pure blues gold” (Pete Clack, Blues In Britain)
Matchbox Bluesmaster Series, Set 7
https://open.spotify.com/album/2DSJWIXjSUzrNnRRJC4zfD?si=DmtyBObXQ7iMOxkzNy6CSQ
https://music.apple.com/us/album/matchbox-bluesmaster-series-set-7-songsters-saints/1699408521
https://www.youtube.com/playlist?list=OLAK5uy_mfm2tKztfSPIRNhvkrRYtACN9VaDME7_I
“let's celebrate this excellent project and act on our belief in what Saydisc is doing. (Henry’s Blueshouse)
Matchbox Bluesmaster Series, Vol 8: Big Road Blues
https://open.spotify.com/album/35Re9ainiBAJASFIMdRRFN?si=IpmOxUoDSFWUpdvjYepvvQ
https://music.apple.com/us/album/matchbox-bluesmaster-series-vol-8-big-road-blues/1688310914
https://www.youtube.com/playlist?list=OLAK5uy_lL8xa7OOq63dCscd7VJFv2ImFzrtl342s
“fascinating Deep South field recordings” (R ‘n’ R magazine)
Matchbox Bluesmaster Series, Vol 9: Jack O’Diamonds
https://open.spotify.com/album/48qZwrh4ghiI3v783FWEw3?si=QCEHXEMITemiZ8D2EaRR9g
https://music.apple.com/gb/album/matchbox-bluesmaster-series-vol-9-jack-odiamonds/1651467092
https://www.youtube.com/playlist?list=OLAK5uy_kU0UMDyR8T2z3hxe1suwLQt4Z4hSc8QcQ
“The Matchbox Bluesmaster Series recapture the blues and roots music from their earliest recordings” (Blues Blast Magazine, USA)
Matchbox Bluesmaster Series, Set 10: Home Town Skiffle
https://open.spotify.com/album/5C6uM2zJghEDbmA3MklXHI?si=6XADlrSkQf-aiPT-rLfEKA
https://www.amazon.co.uk/Lemon-Man/dp/B0C31WPD6Y
https://www.youtube.com/playlist?list=OLAK5uy_mZVv2aln3Ovb61qXvicdyeQ8gscTdem_c
“I believe Saydisc is owed a great deal of praise for their intrepid work” (Jazz Journal)
Matchbox Bluesmaster Series, Vol 11: Black Diamond Express
https://open.spotify.com/album/4SyiTCeKRypf3OQ87agB49?si=4xYSMiZMS6-1b2LnLp1YGQ
https://music.apple.com/fr/album/matchbox-bluesmaster-series-vol-11-black-diamond-express/1690108876
https://www.amazon.co.uk/music/player/albums/B0BWLSGM1G/ref=tmm_msc_swatch_0?_encoding=UTF8&qid=&sr=
“What an achievement!” (Jefferson Blues Magazine, Sweden)
Matchbox Bluesmaster Series Set 12: Blues Like Showers Of Rain
https://open.spotify.com/album/0IJCwR91S5lT1CFY4wPbWH?si=yzP4M3CLRvm0R4aqAuLb_A
https://music.apple.com/ke/album/georgia-rag/1692292626?i=1692293033
https://www.amazon.co.uk/music/player/albums/B0C5H7WP9D?_encoding=UTF8&qid=&sr=
https://youtube.com/playlist?list=OLAK5uy_me2fDVfb5lmrz9sy0NOUblhCE9c8txgyE&si=WR1DJdrXMHO_Suj7
“To say that the Matchbox Bluesmaster series is special would not even come close in describing their importance” (Pete Clack, Blues In Britain)
For lovers of British Country Blues this extensive collection will be like Christmas morning squared. It is all presented in pristine sound.
(Blues Blast Magazine (USA) - Greg “Bluesdog” Szalony) SET 12
I am running out of superlatives to use (Ian Lomax, JAZZ JOURNAL)
Utterly fascinating (Blues Matters)
Excellent series (London Jazz)
Captures in unvarnished and nascent form more of what would become a worldwide phenomenon ( Barry Witherden, Jazz Journal)
Quite fascinating (Artsmuse London)
It just doesn’t get any better! (EarlyBlues.com)
Uniquely valuable recordings (London Jazz News Review)
An extraordinary musical archive of Early Blues (Front Row, BBC Radio 4)
The most comprehensive survey (Blues In Britain)
It is an immense undertaking (Music Web International)
It's the real thing (Henry’s Blueshouse/Jazz Rag)
An extraordinary archive of early blues (Songlines Magazine)
Explores the roots of a music that has been the back-bone of popular music (New Classics)
Scholarship and musical pleasure combined (Blues Matters)
Full of unique performances (Los Angeles Jazz Scene)
Putting this music into perspective are the masterful liner notes by respected blues historian Paul Oliver. They alone are worth the purchase (Jazz Journal)
I came to regard Johnny Parth's complete/chronological project with enormous respect (Blues & Rhythm)
Unearthing fascinating nuggets from the pioneers of the genre
(London Jazz)
This piece of living social history … Wonderful blues (Blues Matters)
This is blues-fan heaven (Jazz Journal)
These are pure blues gold (Blues In Britain)
Such fine material” (Stephen Harrison, BLUES MATTERS)
It is the birthplace of all modern music and needs to be better appreciated. Thankfully, Matchbox and Nimbus are working hard to ensure that we all have easy access to it. (Ian Lomax, JAZZ JOURNAL)
Matchbox Bluesmaster Series is now available on 72 CDs in 12 sets of 6CDs.
The first 7 sets made up the iconic Matchbox Bluesmaster Series released by Saydisc Records between Nov 1982 and June 1988. Most of the albums were subtitled “Complete Recordings in Chronological Order”. The originating 78 rpm records (many of them extremely rare) were provided by several collectors under the editorship of well known Austrian collector, Johnny Parth. The Matchbox Bluesmaster Series is a carefully sculpted edition of blues roots music giving a broad spectrum of the genre.
The series documents the early days of blues, ragtime, hokum and gospel music from 1926 to 1934 (1950 for two tracks) and gives an insight into the way that African American music was first released on record. From a commercial standpoint, records companies such as OKEH sent out talent scouts to find African American singers, many of them “singing for nickels” on street corners. The music of these singers formed the backbone of later urban blues, rhythm-and-blues and, of course, rock-‘n’-roll. These early blues performances feature some outstanding playing and singing and a new generation is now discovering the musical wealth to be found in these early recordings.
Putting this music into perspective are the very valuable notes by broadcaster, researcher and writer, Paul Oliver who was a world authority on early blues and travelled in the US extensively to try and trace any remaining details of these sometimes obscure people. Along with the work of other field collectors and researchers, we gain a rare insight into the world of African American musicians of the day by reading his notes alongside listening to the music they performed.
The series now continues with a further 5 x 6CD sets and covering the releases made by Saydisc/Matchbox in the late 1960s of early blues from the 1920s and 1930s plus more recent field recordings. The final set is devoted to the British blues boom of the 1960s.
These 12 affordably priced sets have been highly rated by blues reviewers around the world and form the foundation for a well-rounded cross section of the roots of the blues to appeal both to collectors and those discovering this vibrant music for the first time.
GEF LUCENA (Series Producer)
www.saydisc.com
www.matchboxbluesmaster.co.uk
https://www.wyastone.co.uk/all-labels/saydisc/blues.html
OR:
http://www.saydisc.com/index.php?id=blues-1
Manufactured and distributed by:
Wyastone Estate Limited
Trading as Nimbus Records
Wyastone Leys,
Monmouth, NP25 3SR, United Kingdom
Tel: 01600 890 007 (outside UK phone +44 1600 890 007)
Fax: 01600 891 052 (outside UK phone +44 1600 891 052)
Email: sales@wyastone.co.uk
https://www.wyastone.co.uk/all-labels/saydisc/blues.html
OR:
http://www.saydisc.com/index.php?id=blues-1
What the Matchbox Bluesmaster Series is all about:
BLUES IN BRITAIN AUG 2023
Matchbox Bluesmaster Series 12: MSESET12
Blues Like Showers Of Rain (A Compendium
Of The Finest British Country Blues' Artists)
To say that the Matchbox Bluesmaster series is special would not even come close in describing their importance: these twelve sets have made up one of the finest (and historically important) packages of original blues ever released. To any blues fan, these sets are surely simply the Golden Nuggets of the blues! Every one of these discs contains absolute blues gems - diamonds to any blues lover of course, but also to those yet unaware of the impact the blues has had on so many areas of modern music… Years ahead of what was to develop into what we now term blues-rock, the artists featured throughout this set brought a standard like never before to the British and European blues scenes. Throughout, the recorded sound is of the very highest standard, and this is not so much a history of British blues of the I 960s, it's a set that truly demonstrates what put British blues on the map: not so much where it began, but when British blues really did equal the best of blues, anywhere.
Totally unmissable, it's thanks to our friends at Saydisc for releasing every one of these sets, because this is the blues and how! Pete Clack
Some press comments on the release of the series: Our thanks to the blues and jazz magazines for permission to reproduce these reviews in whole or in part:
JAZZ RAG: http://www.bigbearmusic.com
BLUES & RHYTHM: http://www.bluesandrhythm.co.uk
BLUES IN BRITAIN: https://www.bluesinbritain.org
BLUES MATTERS: https://bluesmatters.com
LIVING BLUES: https://livingblues.com
It just doesn’t get any better! Highly recommended.
EarlyBlues.com
Valuable service to early blues, unearthing fascinating nuggets from the pioneers of the genre.
LONDON JAZZ
This week I have been immersing myself in the root of all jazz, the blues , and the first two volumes in the Matchbox Bluesmaster series I eagerly look forward to future volumes in the Bluesmaster series.
PRESTO MUSIC, USA
The Matchbox Bluesmaster series is the most comprehensive survey tracing the origins of Black American Blues Music offering a rare insight into the world of black musicians of the day…. the blues here is timeless.
BLUES IN BRITAIN
…..All in all the Matchbox Bluesmaster Series is quite fascinating, really bringing to life the richness of the blues genre which would go on to fuel the best of our popular music. Highly recommended.
ARTMUSELONDON
….It is the cumulative effect, though, of the eight hours or so of music in these two sets that really lingers in the mind…. painted by these uniquely valuable recordings.
London Jazz News Review – Jan 2021
One of the many great pleasures of being a blues fanatic, and a writer for this wonderful magazine, is exposure to collections like this…. Listen, and hear the influences being formed and created, scholarship and musical pleasure combined. … Without doubt, the birth of blues music started with tracks like this. Utterly fascinating.
BLUES MATTERS
It is an immense undertaking……The price per set is extremely competitive and it’s invigorating to see this pioneering series back in the marketplace. It represents a primary go-to resource for Blues and roots aficionados everywhere…These Bluesmasters have been adroitly selected and make for excellent boxes.
musicweb-international.
They absolutely remain a pleasure to listen to but more to the point they still resonate through modern day popular music….. Well it is a treasure trove, there’s no doubt about that, but because the Blues is a generic term and you have all of these different schools, these different approaches, these sub-genres….. I think is important and that really comes across in the collection.
BBC Radio 4 – Front Row Tuesday 5th January 2021
“This piece of living social history. Without doubt, the birth of blues music started with tracks like this. Utterly fascinating” (Blues Matters)
“An important part of the United States' musical heritage” (Los Angeles Jazz Scene)
“Matchbox … are doing the musical world a great service with this excellent series of reissues” (London Jazz)
“The Matchbox Bluesmaster Series is quite fascinating, really bringing to life the richness of the blues genre which would go on to fuel the best of our popular music. …..Highly recommended” (Artsmuse London)
“It just doesn’t get any better!.....Highly recommended” (EarlyBlues.com)
“A vivid portrait of a long-vanished society…. is painted by these uniquely valuable recordings” (London Jazz News Review)
“Explores the roots of a music that has been the back-bone of popular music” (New Classics review)
“The overarching concept of the series being to provide insight into how Black music was first released on record…. I eagerly look forward to future volumes” (Presto Music, USA)
“An extraordinary musical archive of Early Blues recordings often made on location…. Well it is a treasure trove, there’s no doubt about that” (Front Row, BBC Radio 4)
“The most comprehensive survey tracing the origins of Black American Blues Music offering a rare insight into the world of black musicians of the day… the blues here is timeless” (Blues In Britain)
“It is an immense undertaking” (Music Web International)
“It's the real thing, exactly as would have been heard when strolling down Beale Street in the late 1920s or early 1930s” (Henry’s Blueshouse/Jazz Rag)
Songlines Magazine – Jan 2021 An extraordinary archive of early blues recordings put into the spotlight once more.
MSESET 1 & 2 “A rare insight into the world of black musicians of the day….what you have in these sets is an absolute goldmine of early blues…..These fantastic albums suggest those following during the year will be well worth waiting for….these are an absolute must. …. the blues here is timeless.” (Blues In Britain)
MSESET 1 & 2 “…..The early blues was an amalgam of musical styles: country blues, ragtime and gospel to name but a few. This I discovered when I received two CD box sets of the ‘Matchbox Bluesmaster series’. 12 CDs was enough to keep me busy listening for the entire Christmas period and beyond. Presented with such choice, I found myself awed by the profusion of artists on offer. ….. All in all the Matchbox Bluesmaster Series is quite fascinating, really bringing to life the richness of the blues genre which would go on to fuel the best of our popular music. …..Highly recommended to blues enthusiasts and to aspiring musicians wishing to brush up their harp and guitar technique.” (Artsmuse London – Jan 2021)
MSESET 1 & 2 “This major release from Saydisc Records is an extremely well-produced and comprehensive compilation from across the whole blues music genre…. the liner notes are from the writings of Paul Oliver, a world authority on the blues…. It just doesn’t get any better!.....Highly recommended.” ALAN WHITE (EarlyBlues.com)
MSESET 1 & 2 “….[that] this music richly rewards close listening merely for its own sake is demonstrated over and over again by the 12 albums that constitute the initial releases….Paul Oliver (who died in 2017) has provided characteristically learned notes, and the recordings have been skilfully transferred to CD by Norman White…. It is the cumulative effect, though, of the eight hours or so of music in these two sets that really lingers in the mind…. a vivid portrait of a long-vanished society…. is painted by these uniquely valuable recordings.” (London Jazz News – Jan 2021)
MSESET 1 & 2 “…This comprehensive new Matchbox Bluesmaster Series explores the roots of a music that has been the back-bone of popular music from rhythm and blues to reggae, rock and roll, Motown and gospel music….” (New Classics – Jan 2021)
MSESET 1 & 2 “This week I have been immersing myself in the root of all jazz, the blues, and the first two volumes in the Matchbox Bluesmaster series, which documents some of the earliest recordings of blues, ragtime, hokum and gospel music. Drawing on the legendary forty-two LP set released by the UK’s Saydisc Records in the eighties, Bluesmaster focuses on extremely rare 78s recorded between 1926 and 1934, with the overarching concept of the series being to provide insight into how Black music was first released on record…. I eagerly look forward to future volumes in the Bluesmaster series.” (Presto Music, USA - Jan 2021)
MSESET 1 & 2 “….Authentic historical detail is the very essence of the Matchbox Bluesmaster Series, an extraordinary musical archive of Early Blues recordings often made on location…. Well it is a treasure trove, there’s no doubt about that, but because the Blues is a generic term and you have all of these different schools, these different approaches, these sub-genres…They absolutely remain a pleasure to listen to but more to the point they still resonate through modern day popular music.”(Front Row, BBC Radio 4, 5th Jan 21)
MSESET1 The UK-based classical label Nimbus is overseeing the digital and CD reissue of the Matchbox Bluesmaster Series, which debuted on vinyl in the 1980s. It was one of several reissue projects envisioned by Austrian collector Johnny Parth, whose goal was to bring to prewar blues reissues the scholarly oversight and completeness then largely associated with jazz. He enlisted the dean of British blues scholars, Paul Oliver, in his cause and Oliver brought his gravitas and years of research to the notes he contributed to the Matchbox releases. Decades later, their accomplishment remains impressive. (Living Blues Magazine, USA)
MSESET1 It is an immense undertaking……The Bluesmaster series offered and still offers a very special panorama of blues roots, sourced from largely excellent copies which have been finely transferred. The discs are laced with those top of the range booklet notes and full discographical information. The price per set is extremely competitive and it’s invigorating to see this pioneering series back in the marketplace. (Music Web International)
MSESET1 One of the many great pleasures of being a blues fanatic, and a writer for this wonderful magazine, is exposure to collections like this. Listening to the huge amount of music presented on this six-disc set, I felt less like a reviewer, and more like a musical archaeologist, digging down into the hidden foundations of the blues music we all love and enjoy so much…. Listen, and hear the influences being formed and created, scholarship and musical pleasure combined. ANDY HUGHES (BLUES MATTERS Jan/Feb 2021)
MSESET 2 Blues Matters - April / May 2021 The second set in this peerless retrospective of vintage blues recordings turns the spotlight on country blues and the great harp players from 1927 to 1932….a fascinating set of vintage blues recordings being released for the entertainment and education of the blues scholar, but lets not forget the avid listeners who read about such collections and should be steered towards these compilations to find out the rich heritage and even greater influences that these early blues Masters would bring on the artists who followed, developing their basic earthy styles in the multiple blues styles and genres that followed, and continue to follow today. Without doubt, the birth of blues music started with tracks like this. Utterly fascinating. ANDY HUGHES
MSESET3 and 4 From lowdown blues to goodtime music, traditional folk songs to spontaneous originals, the Matchbox Bluesmaster Series is full of unique performances that, while mostly by long-forgotten artists, are an important part of the United States' musical heritage. And most importantly, the music is enjoyable to hear, even 90 years later. (Los Angeles Jazz Scene - July 2021)
MSESET3 “I remember grumbling a bit when the Bluesmaster series first appeared, as at first I just didn't get what they were trying to do. The penny dropped eventually and I came to regard Johnny Parth's complete/chronological project with enormous respect” (Blues & Rhythm Sept 21)
MSESET3 Jazz Journal June 2021 “Putting this music into perspective are the masterful liner notes by respected blues historian Paul Oliver. They alone are worth the purchase….Saydisc say that they have in their vaults many more pre-Bluesmaster blues albums which may be issued on CD in due course. Let us hope so. The CD sets are available at a realistic price (£29.99) and the release of this important series for the first time on CD should appeal to serious blues collectors and also attract (hopefully) a new generation of early blues lovers.”
MSESET3 London Jazz With this latest set of discs, the Matchbox Bluesmaster Series continues to perform a valuable service to early blues, unearthing fascinating nuggets from the pioneers of the genre. MSESET3 2021 seems to be shaping up to be a good year for those of us who are interested in those earliest recorded blues, with the release of seven CD sets, each set comprising of six CDs, in the Matchbox Bluesmaster Series…. it's the real thing, exactly as would have been heard when strolling down Beale Street in the late 1920s or early 1930s. (Henry’s Blueshouse/Jazz Rag - May 2021)
MSESET 3 Space sadly does not permit a full analysis of this six-CD collection of vintage blues, the next in the Matchbox series. But hopefully a brief excursion will encourage the serious blues collectors and historians among the BM community to acquire and enjoy this piece of living social history. (Blues Matters - Aug/Sept 21)
MSESET3 The third box in this reissue series proves just as invigorating as its confreres…. has plentiful variety, from harmonica to solo guitar and vocal, vocal duets and good old ‘Country Girls’…. The late Paul Oliver’s notes were always a wonderful addition to this series telling the reader everything necessary and known about the musicians and their backgrounds and songs. There’s much more to come in this sequence and much to relish here. Jonathan Woolf (Music Web International)
MSESET4 Matchbox triumphantly vindicates the 1912 prediction of pioneering civil rights activist James Weldon Johnson that the music of the South he so beguilingly describes in his Autobiography of an Ex-Colored Man (as productive of ‘one of the most thrilling emotions which the human heart may experience’) will one day constitute African Americans’ ‘most treasured heritage’….plus Paul Oliver’s “characteristically erudite liner notes” There are, it is good to report, three more six-CD sets to come from Matchbox; they are doing the musical world a great service with this excellent series of reissues. (London Jazz)
MSESET4 “This collection is a look as far back into blues history as blues history goes, it’s some of the very earliest recordings ever made…. Wonderful blues” (BLUES MATTERS Sept 2021)
MSESET4 Set 4 comprises six CDs with meticulous track-listing and original liner notes by the respected blues historian Paul Oliver…. Comprising just under 100 tracks and lasting approximately five hours, this is blues-fan heaven…. The sound is more than acceptable considering the variable quality of the sources. This is pre-war US country blues at its finest and its rawest….. Matchbox have done a splendid job – first in preserving and committing the source to vinyl and then digitalising the entire Bluesmaster Series…. This Bluesmaster Series should not be seen as the preserve of the serious blues collector. It can be appreciated by anybody with an interest in the history of music, America and social change…. This may not be your usual CD purchase, but I doubt you will be disappointed if you take a chance. (Ian Lomax, JAZZ JOURNAL Sept 2021)
MSESET3 + 4 Recorded between 1926 and 1950, these are pure blues gold. Many of the artists you may not have heard of before but don't let that put you off…. Along with the six discs in each set, Paul Oliver's extensive original notes make very interesting reading, an insight into these largely unknown musicians and their recordings. (Pete Clack BLUES IN BRITAIN)
MSESET3 and 4 July 2021 issue of the Los Angeles Jazz Scene From lowdown blues to goodtime music, traditional folk songs to spontaneous originals, the Matchbox Bluesmaster Series is full of unique performances that, while mostly by long-forgotten artists, are an important part of the United States' musical heritage. And most importantly, the music is enjoyable to hear, even 90 years later.
MSESET4 London Jazz Matchbox triumphantly vindicates the 1912 prediction of pioneering civil rights activist James Weldon Johnson that the music of the South he so beguilingly describes in his Autobiography of an Ex-Colored Man (as productive of ‘one of the most thrilling emotions which the human heart may experience’) will one day constitute African Americans’ ‘most treasured heritage’….Paul Oliver’s “characteristically erudite liner notes” There are, it is good to report, three more six-CD sets to come from Matchbox; they are doing the musical world a great service with this excellent series of reissues.
MSESET 3 Blues Matters Aug/Sept 21 Space sadly does not permit a full analysis of this six-CD collection of vintage blues, the next in the Matchbox series. But hopefully a brief excursion will encourage the serious blues collectors and historians among the BM community to acquire and enjoy this piece of living social history. The Matchbox Bluesmaster Series Tracing the Origins of Black American Blues Music.
Released on CD and digital for the first time ever, the Matchbox Bluesmaster series is the most comprehensive survey tracing the origins of Black American Blues Music offering a rare insight into the world of black musicians of the day……. All the releases are tied together by the erudite notes of Paul Oliver, a leading authority and researcher on jazz and blues music. Fascinating for blues enthusiasts and collectors, this series will bring to the attention of younger people, the power and importance of this music. It is clear that 'black music matters' and that it has been the back-bone of almost all popular music forms, from rhythm and blues, to reggae, rock and roll, Motown and gospel…….These fantastic albums suggest those following during the year will be well worth waiting for. For any follower of country blues guitar these are an absolute must. Even allowing for the background noise because of their age, the blues here is timeless. BLUES IN BRITAIN
The Matchbox Bluesmaster Series Tracing the Origins of Black American Blues Music. Released on CD and digital for the first time ever, the Matchbox Bluesmaster series is the most comprehensive survey tracing the origins of Black American Blues Music offering a rare insight into the world of black musicians of the day……. All the releases are tied together by the erudite notes of Paul Oliver, a leading authority and researcher on jazz and blues music. Fascinating for blues enthusiasts and collectors, this series will bring to the attention of younger people, the power and importance of this music. It is clear that 'black music matters' and that it has been the back-bone of almost all popular music forms, from rhythm and blues, to reggae, rock and roll, Motown and gospel…….These fantastic albums suggest those following during the year will be well worth waiting for. For any follower of country blues guitar these are an absolute must. Even allowing for the background noise because of their age, the blues here is timeless. BLUES IN BRITAIN
MATCHBOX BLUESMASTER SERIES – SOME REVIEWS OF SET 3
Matchbox Bluesmaster Series – Set 3 (Six-CD set)
LONDON JAZZ May 2021 Album Review by Chris Parker) The latest set in the Matchbox Bluesmaster Series, like its two predecessors is taken from the 42 albums released by Saydisc between November 1982 and June 1988. They concentrate on blues recordings, but also contain examples of hokum (described by Paul Oliver’s exemplary liner notes as ‘a kind of arch, nudging blues style … entertainment with suggestive lyrics’) and gospel, originally recorded by companies such as Okeh and marketed to the black community …….. With this latest set of discs, the Matchbox Bluesmaster Series continues to perform a valuable service to early blues, unearthing fascinating nuggets from the pioneers of the genre.
It just doesn’t get any better! Highly recommended. EARLYBLUES.COM
Valuable service to early blues, unearthing fascinating nuggets from the pioneers of the genre. LONDON JAZZ
This week I have been immersing myself in the root of all jazz, the blues , and the first two volumes in the Matchbox Bluesmaster series I eagerly look forward to future volumes in the Bluesmaster series. PRESTO MUSIC, USA
The Matchbox Bluesmaster series is the most comprehensive survey tracing the origins of Black American Blues Music offering a rare insight into the world of black musicians of the day…. the blues here is timeless. BLUES IN BRITAIN
…..All in all the Matchbox Bluesmaster Series is quite fascinating, really bringing to life the richness of the blues genre which would go on to fuel the best of our popular music. Highly recommended. ARTMUSELONDON
….It is the cumulative effect, though, of the eight hours or so of music in these two sets that really lingers in the mind…. painted by these uniquely valuable recordings. LONDON JAZZ NEWS REVIEW – JAN 2021 One of the many great pleasures of being a blues fanatic, and a writer for this wonderful magazine, is exposure to collections like this…. Listen, and hear the influences being formed and created, scholarship and musical pleasure combined. … Without doubt, the birth of blues music started with tracks like this. Utterly fascinating.
BLUES MATTERS It is an immense undertaking
……The price per set is extremely competitive and it’s invigorating to see this pioneering series back in the marketplace. It represents a primary go-to resource for Blues and roots aficionados everywhere…These Bluesmasters have been adroitly selected and make for excellent boxes. MUSICWEB-INTERNATIONAL. They absolutely remain a pleasure to listen to but more to the point they still resonate through modern day popular music….. Well it is a treasure trove, there’s no doubt about that, but because the Blues is a generic term and you have all of these different schools, these different approaches, these sub-genres….. I think is important and that really comes across in the collection. BBC RADIO 4 – FRONT ROW TUESDAY 5TH JANUARY 2021 MSESET 5 “I wish I could write more about this compilation so that I could exude my delight at the production of such fine material” (Stephen Harrison, BLUES MATTERS) MSESET 5 “this collection is a motherlode of gems for fanciers of pre-war guitar styles” LIVING BLUES (USA) Jan-Feb 2022 Matchbox Bluesmaster Series Vol. 5 Here it is, box set no. 5 in this wonderful series, another six albums and 107 tracks of the very finest in recorded blues, hokum and gospel recorded between 1926 and 1932. Previous sets have included some fairly unknown artists, but this time we have some real nuggets of blues gold. First released on LP between 1982 and 1988, the wait for them to be available on CD has been worth it…. Age has done little to diminish the quality of these performances. Pete Clack, Blues In Britain Jan 2022 Blues From The Avon Delta - The Matchbox Blues Story Mark Jones's book chronicles the history of the Saydisc label and its series of 1920s and 1930s blues music CDs, itemising who did what and when, through the manufacturing process, the artists, the tracks and the sleeves. This is a hugely informative book that's been made possible with the help and input of the people who were there. Pete Clack, Blues In Britain Jan 2022 RnR Jan 2022 Matchbox Bluesmaster Series – Set 5 **** This latest six-disc set from the Saydisc archives will be a welcome treat for blues historians and collectors alike….. So sit back and enjoy the sources behind the birth of so much of the music we enjoy to this day. (Morgon Hogarth, RnR Jan 2022) “…every backwater and flowing mainstream of Western popular music is rooted in this stuff. .. collections like the Matchbox Bluesmaster Series, which Saydisc has reissued with such meticulous care in these multi-disc sets, are so important …It’s a helluva legacy.” STUART MAXWELL (JAZZ RAG) Set 5 Review Blues & Rhythm set 6, Mar 22 This penultimate set of 42 albums that were originally released in the 1980s, has some interesting and some fine music…. As always it is a pleasure to read Paul Oliver's comprehensive and detailed notes and using some recent information, Tony Russell has updated a couple of Oliver's comments. BLUES IN BRITAIN MARCH 2022-02-25 Matchbox Bluesmaster Series Volume 6 MSESET6 (6 CD box set) Matchbox When I began reviewing these amazing box sets last year I said they were a rare insight into the world of black music and, as each set comes along, that view has grown stronger… These are nuggets of pure blues gold. This series is proving beyond doubt to be something to treasure. Pete Clack LIVING BLUES, USA Mar/Apr 2022 Matchbox Bluesmaster Series: Set 6 MSESET6 The penultimate entry in the Matchbox Bluesmaster Series is a particularly enjoyable one, both in terms of musical variety and sound quality. The featured artists not only represent very different approaches to blues in its first recorded generation, they incorporate disparate musical tributaries that made that era’s “blues” idiom far less formulaic than it arguably became later. Mark Humphrey RnR Mar/Apr 2022 Matchbox Bluesmaster Series - Set6 **** The albums, which were sourced from obscure 78s, are currently being reissued in six-CD volumes which retain blues historian Paul Oliver's original notes…. blues buffs will relish the opportunity to own such rare and inimitable music. Trevor Hodgett
BLUES BLAST MAGAZINE 14th April 2022 Matchbox Bluesmaster Series – Sets 5 and 6 Each album on it’s own is a wonderful listen; each of the 6 CD sets is amazing and the 7 sets make up a huge collection of early blues that give the listeners much to appreciate. Whether you are new to this music or a seasoned blues fan, these recordings are an amazing combination of music that can be enjoyed over and over again. The nuances and glimpses into what created our music over the years and up to today are here in these recordings. These bluesmasters gave us the roots of all of America’s popular music and having this huge collection to savor gives the listener a superb view of blues as it began to be put down on records. I most highly recommend these sets to new and old blues lovers. There is something on each CD for the listener to appreciate and the sets become a huge compendium of great music for the collections of listeners. Steve Jones (president of the Crossroads Blues Society), USA
BLUES IN BRITAIN, MAY 2022 Matchbox Bluesmaster Series: Volume 7 'Songsters & Saints'
MSESET7 (6 CD box set) ….Set 7 of the stunning Matchbox Bluesmaster Series….. British writer Paul Oliver wrote several highly regarded books on the history and roots of the blues, including in 1984, Songsters & Saints, but until now the recordings that went with the book have not seen the light of day on CD. Here they are at last and the wait has been more than worthwhile….. You could write pages on these wonderful recordings…..each bring you music you will never forget. Long overdue for release, grab yourselves copies while these remain available. This is the blues as good as it will ever get. Pete Clack
BLUES BLAST MAGAZINE 5th May 2022 Matchbox Bluesmaster Series – set 7: One marvels at the incredible gospel and blues tunes included… I highly recommend this and the entire series…All of America’s popular music came from these early blues and gospel music and hearing it gives us a great look into how that all happened. Steve Jones (President of the Crossroads Blues Society, USA) SETS 6 AND 7: It is quite rewarding that the entire Matchbox catalog is now available on CD. Paul Oliver’s original definitive liner notes are also included and are a major bonus to this highly recommended series. Scott Yanow (Los Angeles Jazz Scene)
BLUES IN BRITAIN NOVEMBER 2022
Matchbox Bluesmaster Series:
Volume 8: Big Road Blues
MSESETS (6 CD box set)
If there's ever been a better series of archived blues recordings made available than this, I'd be surprised. Each set offers something new to the ears: many recordings you may never have heard before, nearly all previously unavailable on CD. The Bluesmaster Series is proving a real blues treasure trove… and to put it simply, this is pure blues heaven… These sets are absolutely unmissable. Together, they are undoubtedly one of the finest blues collections you will ever find.
Pete Clack (Blues In Britain)
JAZZ JOURNAL Feb 2022
Matchbox Bluesmaster Series – Set 6
If you have read my previous reviews of this series, you will know by now that I am a big fan… This one has more of a good-time feel than previous sets and opens with some splendid banjo playing by Papa Charlie Jackson…. Once again Matchbox have excelled themselves. As I have said previously, this music has appeal beyond the blues enthusiast and historian. It is the birthplace of all modern music and needs to be better appreciated. Thankfully, Matchbox and Nimbus are working hard to ensure that we all have easy access to it.
IAN LOMAX
JAZZ JOURNAL June 2022
Matchbox Bluesmaster Series – Set 7
Following previous reviews of this groundbreaking series I am running out of superlatives to use… There are some wonderful and memorable tracks… I have said it many times, but Matchbox/Nimbus do deserve our praise for their work in keeping this music alive. They also deserve our support, and I would wholeheartedly recommend that you go out and buy one or more sets from this groundbreaking Bluesmaster Series. IAN LOMAX
JAZZ JOURNAL 24 Oct 2022
Matchbox Bluesmaster Series – The eighth set in the epic Bluesmaster series:
Set 7 was meant to be the last of the current series, so you can imagine my delight when Set 8 dropped through the door. Titled “Big Road Blues” and subtitled “1966-1972: The Tradition Continues”, the collection is more focused on individual artists than styles or themes.
Matchbox played an important role in the 60s British blues boom and this set is devoted to recordings made in the USA between 1966 and 1972 of singers in the classic blues tradition. One album, Big Road Blues, has had to wait for 50 years to be released….Once again, Saydisc have surpassed themselves with this latest release from the Bluesmaster Series and I sincerely hope that Set 9 is currently in the planning. Ian Lomax
JAZZ JOURNAL Dec 2022
Matchbox Bluesmaster Series – Set 9
Volume 9, six further CDs, captures in unvarnished and nascent form more of what would become a worldwide phenomenon… Most of the people featured on this giant set…subtitled Library Of Congress Field Recordings 1934-1943, are considerably more unrecognised, even by the average blues fan which, in my view anyway, makes this sort of compilation all the more valuable and fascinating.
The Library of Congress recordists, including the legendary John Avery Lomax and Ruth Terrill Lomax, perhaps took greater care over sound quality than did the commercial scouts as they were preserving for posterity rather than seeking immediate commercial success.
LIVING BLUES (USA) Jan 2023
Big Road Blues, 1966-1972:
The Tradition Continues
Matchbox Bluesmaster Series – MSESET8
Here are six CDs offering 79 tracks and over four hours of recordings made during the blues revival. Spurred on by the spectacular rediscoveries of John Hurt in 1963 and Son House and Skip James in 1964, the blues revival would inspire fresh recordings of artists largely inactive for decades and seek out previously unrecorded ones whose playing echoed the sounds of a vaunted Golden Age. Mark Humphrey
Blues From The Avon Delta - The Matchbox Blues Story Mark Jones The Record Press In 1967 the Bristol based Saydisc label released its first country blues record, a 7" EP by the local trio, Anderson Jones Jackson. By 1968 it was helping three other blues labels, Sunflower, Kokomo and Highway 51 get to market. Today the company, having released well over a hundred blues LPs in its first twenty years, has been re-releasing some great country blues recordings and has now become epicentre of the U.K.'s DIY blues record label industry. The book covers this wonderfully creative period of blues in Britain with some familiar names like Jo Ann Kelly, Dave Peabody, Mike Cooper, Ian Anderson and Dave Kelly who, alongside some lesser known ones, brought the blues to the U.K. in those early years - a small record label making ends meet on a limited budget, including visits to a local photo booth to take passport photos for its record sleeves. A Research Fellow at University College Dublin, Mark Jones's book chronicles the history of the Saydisc label and its series of 1920s and 1930s blues music CDs, itemising who did what and when, through the manufacturing process, the artists, the tracks and the sleeves. This is a hugely informative book that's been made possible with the help and input of the people who were there. Pete Clack
BLUES & RHYTHM July 2021
BLUES FROM THE AVON DELTA: The Matchbox Blues Story
Mark Jones
The Record Press; ISBN 978 1 909953 76 5; £19.99
Thoroughly researched, nicely written, profusely illustrated and well
presented on quality glossy paper this, as well as providing a very useful
discographical reference, is a lot of nostalgic fun, even for those of us
who weren't around in the time and place it records. It effectively draws
together the separate but linked stories of the folk/blues scene of the
Bristol area in the 1960s with the history of Saydisc Records. Saydisc is
best known to blues fans both for issues of its own and for the fact that
it was producing UK releases of LPs on the Roots label, from Austria. If
you've ever wondered why its catalogue also seemed to feature rather
a lot of albums of recordings of mechanical music, the answer is here.
The Bristol folk/blues scene is more of a specific, localised interest, but
the author makes a reasonable case for it having wider historical
relevance: ' ... outside London it was Britain's most important centre for
homegrown country blues ... (with) the first dedicated country blues club
In the country.'
Quite a lot of the content is discographical - each relevant Saydisc and
related album is illustrated, with release details, track listing and a short
passage describing the content and its background, sometimes with
quotes from reviews etc. Saydisc's own Matchbox label released several
valuable reissue collections and anthologies, including sets by Blind Boy
Fuller and the first ever full LP releases by Peetie Wheatstraw and
Kokomo Arnold. They provided printing and pressing for Pete Moody's
Sunflower label (see B&R 321 ), as well as the Highway 51 and Kokomo
series. Most substantially, they provided UK release for Roots and
related labels from Austria thus, as is set out in detail here, saving UK
consumers import tax and postage costs amounting to no less than the
pre-decimal equivalent of 57.5p. (If this doesn't seem like a big deal, I
can testify that in 1969, you could get sloppy drunk for that, and still get
the bus home).
Partnership with Flyright produced the early volumes of the Library of
Congress series edited by John Cowley (later ones were produced by
Flyright alone)- truly wonderful albums that I still listen to with enormous
pleasure. Saydisc also had a partnership with the short-lived US label
A.hura Mazda, giving UK release for their great Scott Dunbar and Robert
Pete Williams albums (and who knew that Ahura Mazda reciprocated
with a US release for 'The Golden Age of Mechanical Music'?). In due
course, it would be the Matchbox Bluesmaster imprint that would kick off
the unstoppable 'complete chronological' boom, eventually culminating
In the Document 5000 series.
In parallel with all this activity in getting original, mostly pre-war blues
recordings into the hands of avid fans, Saydisc were also providing
outlets for the rather different kinds of blues-based recordinos made bv
FRoots editor, Dave Peabody, Al Jones and others, first under a
Saydisc imprint, then on Matchbox, then through a partnership
arrangement, on Village Thing. A good account of the background to all
this local activity is given, well-illustrated with photos, labels, posters,
family trees and other ephemera, a story that well deserves to be told.
In A4 format, the whole thing is a pleasure to look at and to read.
Ray Templeton
JAZZ JOURNAL Sept 2021
BLUES FROM THE AVON DELTA: The Matchbox Blues Story
Mark Jones
The Record Press; ISBN 978 1 909953 76 5; £19.99
The story of the Bristol-based Saydisc label and its invaluable contribution to the promotion and preservation of country blues
There are ordinary books for collectors and there are extraordinary books for collectors. This book surely fits the latter category. This book traces in minute detail the birth of the Bristol-based Saydisc label and its subsequent role in the development of home-grown British country blues.
In 1967, Saydisc released its first country blues record, a seven-inch LP by local trio Ian Anderson, Alun Jones and Elliot Jackson. By 1986, it was helping three “pop-up” DIY blues labels – Sunflower, Kokomo and Highway 51 – to get to market. In 1968, Saydisc created the well-known and much respected Matchbox label with the objective of releasing material by contemporary British country blues artists as well as LPs of classic pre-war US country blues.
By 1968 the UK blues boom was in full swing, albeit with more attention given by the major labels to electric blues bands. In July 1968, Matchbox released the country blues album Blues Like Showers Of Rain to positive critical acclaim. It featured a collection of British artists including Dave Kelly, Mike Cooper Ian Anderson, Jo-Ann Kelly among others. John Peel played it on his Night Ride radio show and several of the artists showcased were subsequently invited to record BBC sessions.
The British blues phenomenon did eventually run out of steam and Matchbox folded in 1977. Thankfully, it returned in 1982 to concentrate on classic pre-WWII US blues and created the well-received Bluesmaster Series – which is still going strong today. This undertaking resulted in the release of 38 LPs and two double-LP sets. Many of these releases were transcribed from rare 78s (as frequently no better original source existed) or previously unreleased US Library of Congress recordings.
All in all, it is thought that Saydisc released over 100 blues albums between 1967 and 1987, as well as promoting home grown country-blues talent. In short it kickstarted the late 1960s country blues boom and made Bristol the epicentre of the UK’s DIY blues record label industry. No small achievement for a label that most music fans have never heard of and a fascinating story that continues today with digital reissues of the entire Bluesmaster Series of LPs.
This fascinating history of Saydisc is written and catalogued by music historian Mark Jones and a fine job he does. It is part book, part catalogue, part scrapbook and part memorabilia. The book contains information on every Saydisc-related blues record ever released (including track and artist listings) and images of all Saydisc’s blues record sleeves (including the Sunflower, Kokomo, Highway 51 and Ahura Mazda labels). There are also memorabilia from private collections and active input from those who were there.
The amount of detail is simply phenomenal. The book will appeal to all those with an active interest in the history of the British blues movement as well as those who lived and went to blues and folk clubs in the Bristol area at a time when it was probably the most important centre for homegrown country blues outside London.
It will also appeal strongly to those with musical interests on the other side of the Atlantic. Without the Matchbox label (and especially the Bluesmaster Series) many pre-war US country blues and gospel artists would simply have faded into obscurity. We would never have heard of blues musicians such Peg Leg Howell, St. Louise Bessie, Little Brother Montgomery and Blind Willie Davis. Nor would vast quantities of music from better-known artists such Blind Lemon Jefferson, Blind Willie McTell, Skip James, Big Bill Broonzy and Memphis Minnie be available commercially.
In many cases it has simply been a case of an artist or a piece of music surviving obscurity by a record collector having the last surviving 78 record from which Matchbox have revived a copy. The hard work involved in sourcing, compiling and cataloguing these blues collections is never fully appreciated and this book shines a light on one small company that does it so well. It is a remarkable story and one that deserves to be told. (IAN LOMAX)
Blues from the Avon Delta: The Matchbox Blues Story by Mark Jones (The Record Press, 120pp., £19.99), an exhaustive survey of “how Blueswailin’ Bristol kick-started Britain’s late 1960s’ country blues boom and became the epicentre of the UK’s DIY blues record label industry”. A labour of love, this painstakingly researched work, as well as providing a history of the 1960s British blues boom, lists all Saydisc (and related companies’) releases (complete with sleeve images). Blind Boy Fuller and Kokomo Arnold jostle with Jo-Ann and Dave Kelly, Peetie Wheatstraw and Furry Lewis with Mike Cooper and Ian Anderson – the result is truly an aficionado’s dream.
Jefferson Blues Magazine (Sweden): The Swedish Blues Society
BLUES FROM THE AVON DELTA - The Matchbox Blues Story: Mark Jones
The Record Press, 2021: ISBN 978-1-909953-76-5
There aren't many of us. But we exist. We who are morbidly interested in discographies, listings, matrix numbers and alternative takes. And this 114-page paperback in A4 format is an excellent example of what we like. This is the story of the blues part of Saydisc Records. Author Mark Jones has written another book about the label, “The Saydisc & Village Thing Discography”. But here the focus is on the blues of this company that was a leader in the English blues releases of the late 1960s. Over 100 LPs were issued between 1967 and 1987. Perhaps not impressive if you're used to Ace, Charly or Jasmine, but Saydisc was the pioneer who started it all.
The company was based in Bristol (upon Avon), home of some of the earliest clubs dedicated to folk music/blues. This gave birth to interest and Saydic's first staggering step was as publisher of folk music. But soon the company became an outlet for early reissue companies such as Sunflower, Kokomo and Highway 51. Today, these names say nothing, but at the time it was records that caused wet dreams after seeing their ads in magazines like Blues Unlimited and Blues World. At the time, LP´s was regarded as luxury goods and taxed, but if it stayed below 100 copies, the tax was avoided. Therefore, only 99 ex were pressed, which meant that you did not have to pay "VAT" on them. Which makes them highly valued collectibles 50 years later. Saydisc pressed the records and printed labels and covers. Some copies of Sunflower's "The Chicago Housebands" were sold to such illustrious clients as John Peel and Billy Boy Arnold. This was 1968.
In the same year, the label Matchbox was started, where newly recorded British country blues were combined with reissues of American ones. The LP "Blues Like Showers of Rain" featured the likes of Jo Ann Kelly, her brother Dave (later in The Blues Band) and Mike Cooper. John Peel played it on his radio show and the album inspired a generation of young British musicians.
Matchbox also pressed the Austrian company Roots editions for the UK market. When that deal ended, there were a lot of records pressed that lacked cover. I remember a train ride to London in the 70's when these were sold out in neutral unprinted cardboard covers for 50 p/piece. And the pound was seven crowns. Guess if the backpack was filled? The label Matchbox ceased in 1977 but resurfaced in 1982 with its Bluesmaster series, 36 LPs in all. They are now in 2021 reissued as six-CD sets.
For me, perhaps the most interesting releases were the Flyright-Matchbox Library of Congress Series. Six LPs of unreleased LoC material in collaboration with Flyright. Two more LPs came under Flyright's direction alone. A real music treasure, available nowhere else.
Well, there is as much as you could wish for to tell about Saydisc, and Mark Jones does. Extremely interesting if you are morbidly interested in a breakthrough of a company's publications. But it probably assumes that you know how the music sounds, here it is mainly about number series, design, number of pressed ex and so on. And pictures of all editions. Like I said, invaluable information.
Finally, the LPs that were published as complements to some of the books in Studio Vistas Blues Paperback's series, as well as the two double LPs that were published for Paul Oliver's book "Songsters And Saints", are also discussed.
It should also be said in this context that there were other companies that were there alongside Saydisc, but which for various reasons did not survive that long. For the poor sound quality so infamous reissue company Python disappeared. While Blue Horizon, which began back in 1965 with single editions, reached success with Fleetwood Mac. But it was Saydisc that made an effort worthy of hero status in reissues. Max W Sievert